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Dynamics at a glance

Compressors, limiters, levellers, a de-esser and a gate - from transparent to coloured. Click a plug-in for its panel; each one has its manual PDF and a download.

InstrumentsDrum machinesAmps & driveDynamicsEQ & filtersModulation & spaceMasteringSumming
Plug-inIn the spirit ofMain featuresBest for
CompressorCompressorPanelThe classic studio types in one box
  • Four voicings: VCA, BUS, RIDE, OPTO
  • AUTO timing, negative ratios
  • SC HPF or low-band SPLIT, parallel MIX
An all-rounder for any track
Compressor QCompressor QPanelThe classic studio types with a channel EQ
  • Compressor plus four-band parametric
  • EQ first or after
  • Coloured band caps
A one-stop channel compressor
RNDRNDPanelThe classic half-rack compressor pair
  • Clean true-RMS compressor with a GENTLE mode
  • Levelling amp with two-stage optical release
  • Drift
Transparent control and smooth levelling
SmoothSmoothPanelClassic one-knob software compressors
  • One COMPRESS knob
  • Optical-style timing, LIMIT mode
  • Valve colour stage, BLEND
Fast, musical compression
HeadsmootherHeadsmootherPanelTape saturator and optical compressor stacked
  • Head and Smooth in either order
  • Each unit switchable
  • Shared output stage
Tape and compression in one go
Quad11Quad11PanelMultiband bus compressors
  • Four bands, draggable crossovers
  • EQ bell and saturator per band
  • Compress or expand per band, auto makeup
Bus control band by band
TandemTandemPanelTwo 80s RMS soft-knee compressors in series
  • Two stages side by side
  • Ratios past infinity into negative
  • Decouple, external key, grit
Heavy compression that stays open
Tandem QTandem QPanelRMS compressors with a passive program EQ
  • Two compressors plus program EQ
  • Stepped frequencies
  • EQ before or after
Vocals and buses that need both
DuplexDuplexPanel80s British two-channel dynamics processors
  • Compressor, de-esser and peak limiter per channel
  • Stereo, dual or mid/side
  • Split-band de-essing
Vocals, de-essing and broadcast control
Duplex QDuplex QPanelBritish two-channel dynamics with a tilt EQ
  • High-pass, tilt, low-pass
  • Mid / side tilt
  • EQ before or after
Broadcast voice and bus shaping
ThrustThrustPanelThe famous American stereo bus compressor
  • Stepped attack, ratio and release
  • THRUST, knee, feed-forward or feedback
  • Adjustable link with link filter, twin VUs
Mix and drum bus glue with punch
ConsoleConsolePanel80s British broadcast console dynamics
  • Fast, clean VCA compressor
  • Gate / expander, peak limiter
  • Output transformer colour
Clean channel and bus dynamics, gating
Console QConsole QPanel80s broadcast console dynamics with channel EQ
  • Gate, compressor, limiter plus EQ
  • Brown or black voicing
  • EQ before or after
A complete console channel strip
VB30VB30PanelEarly broadcast modules and high-ratio limiters
  • Diode-bridge cell that thickens as it squashes
  • Capacitor-memory release: snap back or suck back
  • FREEZE holds the gain in the gaps; gate, parallel MIX
Room mics, aggressive vocals, parallel drums
De-EssDe-EssPanelClassic split-band de-essers
  • Split or wide
  • Listen key
  • Stereo-linked detector
Taming sibilance
GateGatePanelAnalogue studio gates
  • Gate, expander, ducker
  • Keyed, filtered side-chain
  • MIDI trigger
Drums, noise control and ducking
MK3MK3Panel1970s local-radio broadcast desks
  • Transformer iron, stepped HPF
  • EQ with FIZZ
  • VCA compressor, either order
Vocals and speech
TransientTransientPanelClassic transient designers
  • Attack and sustain
  • No threshold, level-independent
  • Speed and length
Drums and plucks
Twin CompTwin CompPanelThe classic 70s RMS VCA and 80s expressor
  • Two compressors, either order
  • Past-infinity ratios
  • Soft knee, program timing
Vocals, bass and drums